When does the event take place?

The event takes place on June 19, 2026, at 00:21.

How much is the entry fee?

The entry is based on donations. A fixed ticket price is not mentioned.

Is the event more of a reading or a concert?

It is a concert evening with a strong literary and performative component, thus a mix of concert, spoken word, and improvisation.

What artistic elements shape the evening?

Expect experimental music, desert sounds, spoken word, poetic texts, and improvised soundscapes.

Is the event indoors or outdoors?

The event is categorized as an indoor event.

Desert, Word and Sound: An Extraordinary Evening in Augsburg

Name: Mammeri/Daher/Giussani – Between Desert Sounds, Spoken Word and Sonic Improvisation
Start: 2026-06-19T02:21:00+02:00
End: 2026-06-19T03:51:00+02:00
Location: Augsburg

An evening between desert, word and sound: Mammeri/Daher/Giussani in Augsburg

With Mammeri/Daher/Giussani, a concert evening is announced in Augsburg that condenses literature, experimental music, and performative language art into an intense author encounter. On June 19, 2026, poetic directness meets improvisational freedom as desert sounds, spoken word, and sonic improvisation fuel each other.

Literary energy meets musical openness

The evening promises not a usual reading format, but a literary experience in the border area of concert, performance, and narrative art. Mouloud Mammeri connects, according to the event information, North African music traditions with blues, folk, and world music; Lydia Daher operates at the intersection of literature, music, performance, and visual arts; Sebastian Giussani brings a performative presence as a visual artist and musician that creates tension between improvisation and controlled chaos. The reading atmosphere emerges here not through distance, but through immediate sonic condensation.

Desert images, memory, and poetic intensity

Particularly appealing is the thematic breadth of this evening: desert landscapes, travel, memory, and cultural identity are not only named but translated into soundscapes. The audience experiences a form of language art, in which spoken word does not just convey text but unveils rhythm, attitude, and resonance. It is precisely this combination of literary quality and musical improvisation that makes the format appealing.

A donation evening with open dramaturgy

The entry based on donations opens the event to a wide audience and underscores the experimental character of the evening. Those interested in contemporary literature, performance art, and hybrid stage formats will find here an event that does not explain cultural discourse but makes it audible. Augsburg is thus granted an evening that consciously positions itself between concert, reading, and artistic encounter.

Conclusion: Mammeri/Daher/Giussani offers an extraordinary mix of literature, sound, and improvisation in Augsburg. Anyone who appreciates poetic voices, experimental music, and an open live situation should not miss this evening.