When does the vernissage take place?

The vernissage starts on Thursday, April 23, 2026, at 18:30 at westhouse Augsburg.

How long is the exhibition on display?

The exhibition featuring works by Regina Maria Wieser can be experienced from April to December 2026 at westhouse.

Is the venue wheelchair accessible?

Yes, westhouse is wheelchair accessible and equipped as a meeting center.

Are there parking facilities on site?

Yes, there is a parking garage at westhouse. Additionally, public transport connections via Augsburg-Oberhausen are easily accessible.

Are photos allowed in the exhibition?

Information to follow. Please inquire at the cash desk or with the organizer on-site.

Are there guided tours or a supporting program?

During the vernissage, Martin Hegele will accompany with the accordion. Further supporting formats or guided tours will be announced by the organizer as availability permits.

When Pigment Breathes and Light Draws: Regina Maria Wieser at westhouse

Name: Vernissage: Dialogue of Color, Line, Form and Light – Regina Maria Wieser
Start: 2026-04-23T20:30:00+02:00
End: 2026-12-31T17:00:00+01:00
Location: westhouse

An Evening for the Eye: Color, Line, Form and Light in a Lively Dialogue

On Thursday, April 23, 2026, westhouse in Augsburg invites you to the vernissage of Regina Maria Wieser. The freelance artist, born in Aalen and living in Horgau near Augsburg, unfolds an art experience between painting, drawing, and cyanotype – accompanied by the atmospheric accordion music of musician Martin Hegele.

Worlds of Images between Pigment and Earth

From the first step into the exhibition atmosphere, one senses the sensitive handling of material: Wieser composes a distinctive color harmony from carefully selected pigments, often enhanced by self-collected earths. Transparent glazes meet dense paint applications; lines traverse the surfaces with graphic precision, shaping figures, landscapes, and abstractions into poetic spaces.

Cyanotype as a Choreography of Light

In her photographic-painting cyanotypes, light becomes the actual medium for viewing the works. Negative, light-sensitive layers and painterly gestures merge into deeply glowing shades of blue that intensify contrast and spatial effects. This creates an aesthetic experience that sees observation as a slow, contemplative process.

Landscape, Line, Blank Space

Between large and small-format landscapes, fine drawings, and experimental series, a choreography of silence and movement develops. Contrasts modulate the mood, light temperatures define depth, and formal reduction opens the view to the essential. Curatorially, a clearly structured route unfolds that sharpens perception and allows for dialogical references between groups of works.

Art Historical Context and Practice

Wieser's approach of intertwining pigment painting, drawing, and fine arts positions her oeuvre in the contemporary field between material research and image poetry. Memberships and exhibition participations in the Swabian art context, along with documented work cycles, demonstrate a continuous, regionally anchored, yet experimental practice. Press reports and catalog texts underline the relevance of her cyanotype series within current photogram and alternative processes.

Conclusion

Those wishing to experience color, line, form, and light as sensual coordinates of a slowed-down viewing process will find a dense yet open exhibition experience here. The presentation at westhouse runs from April to December 2026 – ideal for returning, rediscovering individual groups of works, and experiencing the spatial relationships in the changing daylight. Recommendation: see live, take your time, discover layer by layer.